Golightly was the first Deaf Assistant Superintendent at The Washington Post. In this role, she was responsible for overseeing the work of the printers in the Composing Room. The job involved communicating with other departments, like newsroom…
Among the tools used by staff in the Composing Room were cutting tools. Cutters were used to trim type and images into sections to be arranged into page columns. These sections would then be adhered to a paper board and the completed page would be…
Well-known cartoonist, Herb Block (Herblock) produced editorial illustrations for The Washington Post for more than 70 years. Deaf employees like Buemi recall retrieving Block's graphics and rushing them to be printed.
Prior to computerized newspaper design, paste up was integral to the printing process. In the composing room of The Washington Post, employees used cutting tools to manually lay-out the text and images of each page. Pictured here, Talmage Flanagan is…
Both Moore and Sugyiama worked on graphic designs for advertisements in The Washington Post. The open floorplan of the department later changed, adding cubicles.
This meeting, likely taking place during the winter holiday party, discussed the forthcoming Mega Employment issue. As the speaker addressed the group, an interpreter, Dianna Markel, signed to Jan DeLap. DeLap then interpreted the message for the…
This union card denoted that Robert Wilson, a retired Deaf printer, was a member of the DC chapter of the International Typographical Union, Columbia Union No, 101-12. The card was signed by president William F. Burgess.
Membership in the International Typographical Union admitted Deaf printers into a broader legacy of organized labor in the US. As outlined in the booklet, union participation ensured that Deaf printers received the same benefits and protections as…