The Washington Post was headquartered on 15th Street NW, for over forty years. In 2015 the newspaper moved into new offices at K and 13th streets. Three years later, the 15th street buildings were demolished. The move reflected the changing nature of…
Membership in the International Typographical Union admitted Deaf printers into a broader legacy of organized labor in the US. As outlined in the booklet, union participation ensured that Deaf printers received the same benefits and protections as…
The article gives an overview of the context of industrial training in printing at Deaf residential schools in the United States. It summarizes the similarities and differences between institutions in terms of training and equipment and makes…
Another stage in the technology of newspaper printing involved the use of phototypesetting in the Composing Room. Text was delivered from the news team to the dark room, an enclosed space with minimal light exposure for image processing. After the…
After the page components were designed and printed, workers in the composing room would combine the text and graphics into a page layout. Advertisement pages were known to be complex and involved great attention to the details of spacing and…
Each newspaper page was made-up and locked into a metal frame. The separate galleys of lead typeface and imagery permitted printers to proofread a test print, identifying any errors and easily substituting slugs from the blocks of text.
Well-known cartoonist, Herb Block (Herblock) produced editorial illustrations for The Washington Post for more than 70 years. Deaf employees like Buemi recall retrieving Block's graphics and rushing them to be printed.